Malibu: Vanities Album Review | Pitchfork

Vanities, the debut full-length by French producer Barbara Braccini, aka Malibu, is equal parts devotion and…

R&B Is ‘Back,’ But It Never Really Left: Giveon Review

The last time fans of R&B were as spoiled for choice as they are now, Ne-Yo…

The Smashing Machine review – a moving portrait…

Of course there have been inevitable (and not entirely unfair) jokes about The Rock running for…

Rema Fun Lyrics Meaning & Review: Piano-led Afropop

Rema’s “Fun” does exactly what the title promises: a piano-led Afropop bounce about keeping your head…

Austin City Limits Festival 2025 Review And Photos

Historically speaking, musicians use their platforms to make statements about political and social issues, so it…

Bryson Tiller’s “Autumn Drive” Song Review

Bryson Tiller’s “Autumn Drive” is a two-minute night glide that carries memory like mist on the…

sombr: I Barely Know Her Album Review

He also has pretty solid pop instincts. It’s easy to appreciate his way with a hook,…

Jeff Tweedy: Twilight Override Album Review

Twilight Override is built to be immersive rather than visceral. We are along for the journey,…

Operation Ivy: Energy Album Review

Earlier this year, I was a staff writer on Everybody’s Live with John Mulaney. For 12…

Hen – first-look review | Little White Lies

The first image of György Pálfi’s Hen – an extended close-up on a chicken’s cloaca as she lays an…